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As if all this lying was not by enough, Tom is in love with Dickie, but has nothing is ever 100% true in the life of Mr. Ripley he may actually have fallen in love with Dickie's life.
The all spirals out of control and
Dickie has to be this disposed of. After which Tom fully
assimilates
himself into Dickie's place. But after Dickie's
"disappearance"
people began to suspect Tom, and one corpse after another has to be
produced,
until, when after the unfortunate business, for Tom, of him falling in
love with Peter Smith-Kingsley (Jack Davenport), he sees Peter as his
escape
route. But what Tom had started has to be finished.
The talented Mr. Ripley is like a "Secret of my Success" for
the year 2000. Unlike that film though it has little
comedy.
In its stead it has a number of murders perpetrated by a sinister
character.
But like "Secret of my Success" it is about a young man who
wishes
to be somewhere other than where he is. And so infiltrates into a
position in society, after first gaining the confidence of a rich,
powerful
family. But unlike "Secret of my Success" the adventurer does not
get the girl/guy or gain much from his adventure by end of the
film.
In fact he is a lot worse off than he was before he started his journey.
It was not part of Tom's plan to fall in love with Dickie. The only plan he seemed to have had was to become someone else other than himself. And he happened on Dickie Greenleaf.
Jude Law was wonderful as the rich lay about, Dickie. Matt Damon's Ripley was intriguing, revolting and pathetic all at the same time. Phillip Seymour Hoffman gets better and better every time, good here as the suspicious flamboyant yuppie playboy. In Boogie nights he was good as the pudgy, intense and tortured, in love with Dirk the Diggler, sound man. In Magnolia he was brilliant as caring, but for a second, only a second, seemingly pornography obsessed nurse with a higher motive.
The wonderful Cate Blanchett is criminally under used. After her portrayal of "Elizabeth", in the film of the same name, there should be law passed about actors with her talent being in a film like this for what seems to be less 30 minutes.
Wonderful Italian scenery and
beautifully
shot, this film could have been financed by Thomas Cook!
The
brilliant camera work during Tom's nightmare is astounding, like a shot
straight out of a Hitchcock or Welles movie. Watching from a
distance
and then burrowing right down into the hidden soul of Mr. Ripley.
Review by Giovanni Pistachio,
Giovanni
can be contacted at: - giovanipistachio@netscape.net
© Owned Giovanni
Pistachio.
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