Buy It Ichi (Nao Omori) is one fucked up
guy. He gets off on
violence, thinks that beating the shit out of someone is a sign of love
and cries when he does commit acts of anti-social behaviour. He
is also an assassin programmed by Jijii (Shinya Tsukamoto - acclaimed
director of the Tetsuo movies and Tokyo Fist). One of his latest
jobs was to kill Yakuza gang lord Anjo, which he does in his unique
bloody style. Anjos second in command, Kakihara (Tadanobu Asano) is
heartbroken because Anjo was more than his boss he was his sadist who
fulfilled his masochistic tendencies. He now wants to find his
bosses' killer. Meanwhile, Ichi is being programmed to kill the rest of
the gang including Kakihara. However Kakihara believes that Ichi
could be a suitable replacement for his deceased boss. Pain,
suffering and death ensue. But for who? Now I'll probably
get hate mail for writing this but I think it has to be said.
This isn't the greatest film in the world. If it wasn't for all
the media hyperbole surrounding the three minutes or so of cuts that
the film suffered at the hands of the BBFC then Ichi wouldn't have been
as infamous as it is. Needless to say that the old adage about
any publicity is good publicity is exemplified here in all its glory.
However it isn't the blood bath that a lot of reviews have made it out
to be. There has been and will be bloodier. What they are
going on about is the scenes of sado-masochism that proliferate and a
few scenes of sexualised violence against women. In this day and
age where everything has been done to death and the audience becomes
less shockable, it shouldn't come as a surprise that filmmakers are
going to push the envelope. They want to cause a reaction.
So these scenes that caused such uproar were inevitable. And I
should be allowed the choice to view these scenes and not have someone
else decide for me. I don't think I'm sick when I say that I want
to see all that Takashi Miike puts on the screen. I know my
limit; I know when to switch off. Some of the stuff in this film
made me feel uncomfortable. That was my decision. It's what
I wanted and I'm damn sure Miike was looking for that response when he
was filming it. And for chrissakes sex and violence go hand in
hand like Laurel and Hardy, bacon and eggs, Butch and Sundance.
Of course some people can't get past the "blood and sex and violence"
and see that there is more going on here other than people raping,
killing and puncturing each other. This movie could be seen as a thesis
on love and relationships, looking for the perfect partner in
contemporary society. The thing is most audiences are too lazy to even
try and look beneath the surface. The critics are the same
(except Tom Mes, whose book on Takashi Miike, Agitator is an essential
purchase) they just focus on the exploitational aspects. It's
easy, hell; this review is mostly about the sex and violence.
What I'm trying to get at is; Miike doesn't just make exploitation
movies. That is his mode of attack to tell us something. He
knows sex sells, he knows violence sells. He wants people to see
his films, so he gives them what they want. If they get the underlying
message then that’s a bonus. He has admitted that he is a
director for hire, if he thinks he can do something with the material
then he'll do it. That is why he is so prolific. He has
things to say. Ok enough of the serious shit
Based as it is on a manga it has been shot with a comic book
sensibility that lightens the mood of the piece and just about takes
the edge off the rawness of the entire movie. Also it's quite
funny, in a very black comedic way (hey maybe it's just me). The
low budget does shine through at times; some of the CGI is a bit naff
to say the least. However there is still a hard edge to the film,
an uncomfortableness that's hard to shake after watching it.
To continue the manga/comic book theme and for those who can't get
enough of Ichi you should check out the Ichi the Killer anime.
This is a 40 odd minute prequel that explains how Ichi became the model
citizen that he is today. It has more violence in its short
running time than the live action film has in its entirety. As an
added bonus Takashi Miike provides one of the voices. A perfect
compliment and sick nights entertainment (I think!)