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Evening Star 1 : Two Thousand And Do!
check this out if you haven't already..

" we don't make plans.  We know what we want."

Formed at the end of the 20th century, the buzz around initial demos and electric live shows by Miss Black America grows increasingly louder. As 2001 ends they have a busy year ahead. Miss Black America release a single, "Infinite Chinese Box" in the UK on Bedford based independent label, Integrity, (backed with "Pub Rock Coma" and "Scarface". They spend January to March touring and are part of the century-turn music explosion. A one band scene regularly mentioned here as part of the 21st century punk vibe. It's a scene without a name, media tag or label - but with the old skool punk vibe of d.i.y., performance and living the rock n roll life.
There are many bands in the UK with the talent and tunes that have brought this vibe increasingly to the fore in a year (2001) when greatness was apparently thin on the ground in Britain (my arse).
Here is one of them...

God is dead: no-one can look with open eyes at the damage caused in the name of any 'God' (in Ireland, Israel, Afghanistan and throughout history) and see organised religion as anything but dangerous and destructive. Likewise sport: the acceptable, 'noble' face of xenophobia and bigotry.
(Miss Black America biog, Spring 2001)

Miss Black America hail from Bury St Edmunds, a life growing up there has had a marked effect on their young, bored, articulate) lives. They are in the vanguard that that lit the turn-of-the-century fuse. I like where they are coming from (and I don't mean Bury St Edmunds particularly!)...

We are Seymour Glass (me) on angry singing and occasional bad guitar, Gish on no singing and good guitar, Mickey Smith on reluctant singing and bass guitar, and Neil Moses Baldwin on drums and reefer duty. 

Offstage, we fulfil our respective roles of neurotic effete cunt, grumpy bald cunt, grumpy weird cunt and sexy perma-stoned cheeky cunt.

Like I said, Bury St Edmunds had a marked effect on these music fans...
The main influence was just boredom and the prospect of never knowing anything else; having nothing to do except look for shit jobs and go down the pub. 
We didn't want to end up like everyone else, working in Tesco or the chicken factory or some godawful soul-destroying office job for the rest of our lives. 
Me and Mike had just failed our college courses, Neil was doing A-levels and the three of us met at a drum 'n' bass gig in Cambridge one night. 
Mike walked up to me and said, "You're in a band!  Buy me a drink!" so I bought him a half of cider and he said "Be in a band with me!  I'm a bass player!  And he's a drummer - oi!  Neil!  Do you wanna be in a band?".  And this long-haired indie kid turned around and said, "alright, dude". 
Two days later, we had our first practice, and two weeks after that, we played our first gig.  Gish joined about a year later, in October 2000, when I had an accident that stopped me playing guitar.  But I was shit anyway, and he's brilliant, so fuck it. 
We rehearse at Mike's parents' farm.  The cows don't object to the noise.  And even if they did, I don't speak cow.

continued... Miss Black America Page 2/3...

Some Fave Lyrics? "I know I believe in nothing, but it is my nothing"
('Faster', Manics)