25 things to look for when booking a band
Like most things when you
are planning your wedding day you will probably never have booked a band
before. So here are 25 of the most important things to consider.
The type of music is
probably the first question that should be considered because there is
usually a wide selection of guests of varying ages so something that does
not alienate one section of guests is advisable.
If you are in a small
room then amplified electric instruments, or a brass ensemble, may be
overpowering and conversely in a large marquee with interior draped fabric
would swallow up a lone harpist.
A singer is fairly
important for the main evening entertainment when a “show” is required.
However for incidental background music a singer can become intrusive.
You need to find out
whether the venue has any restrictions on the type of band they have a
licence for, or will allow, some venues have restrictions due to having
upset the neighbours once too often
Ask the band what sort
of tunes they play or ask for a play list so that you can see they can play
the sort of tunes that you want.
If you want anything
specific then don’t be afraid to ask most experienced bands know more tunes
than is on their current play list and given warning may even learn one
specially for you.
Before contacting the
band, try to work out what times you want them to play for, most bands play
“sets” between 45 to 60 minutes long with 15 to 30 minute breaks.
If there is any other
down time, like if you want them to play before then after the wedding
breakfast, the fee will be higher and they will probably want food and drink
but not necessarily what you are having these things are usually negotiable.
Another thing that
needs to be considered is if you need the band to be set up early i.e. on
stage before you have the wedding breakfast, this can incur extra cost
Beer stained T-shirts
are all very well for a pub gig where they are probably being paid “beer
money” or less so, unless this is the dress code then the band should be
dressed appropriately. Most classical ensembles have evening dress, the more
serious ones even sport tailcoats, any band, unless they are starting out
should have a form of uniform and if they don’t there are hire shops (We
have hired Tailcoats when a formal 1920’s evening look was wanted). Don’t be
afraid to discuss what they will wear after all every one else including the
waiting staff will be smart.
As part of getting to
know the band you are going book, ask what events have they played for and,
how many a year they do including how many weddings.
Try to find out if
they have some suggestions to make the day run smoother.
Don’t be afraid to ask
about the length of time the band has been together with their current
personnel.
Even musicians have
family commitments and take holidays so, good bandleaders have a selection
of regular deputies that fit in with the band; however this may mean a
change in repertoire.
This is important as
there are many “pick up” or “telephone” bands in which musicians are booked
for the day, this means that the performance may not be what you were
expecting. Some people running bands take bookings and unbeknown to you
pass them on, so that on the day you end up with a no name band when you
wanted “Joe Bloggs and The Bloggettes This is where personal recommendation
can help
You need to know how
many are there in the band and do they have any roadies so that you know how
many people to expect if overall space is cramped or if they need a changing
room or you are providing food and drink for them (always welcome).
If the band needs
electricity and is playing is out doors or in a marquee a special supply may
be needed for them (the caterers can use a lot of power). Attention must be
paid to the fact that it may need to be a “clean” supply (some instruments
are sensitive to fridges etc. switching off and on). Therefore if you want
the band to perform outside then being acoustic and not needing electricity
means that there is less of a problem should it rain.
You should also ask
how long they take to set up so that the area can be made available
accordingly.
Always ask for an “all
inclusive” quote and whether any extra’s such as travelling or VAT will be
charged.
Establish before hand
if you may want them to play for longer and what the extra fee will be to
avoid embarrassment (on both sides) on the day.
Be prepared to pay a
deposit and, importantly sign a contract or obtain a letter of confirmation
that states when the final payment is made, most bands prefer “cash on the
day”.
While on the subject
of money don’t hire on cost alone, don’t think because they are the cheapest
they are no good, it may local and they appreciate not travelling a long
way, or they may charge a lot because there is a 3 hour break between sets
Red tape is something
that is increasingly appearing in the form of Licensing (briefly mentioned
above), Insurance and health and safety. Public liability insurance is
increasingly being asked for by the venue often only at the last minute, any
established band should have this, make sure that the band and all members
of the band are covered, some musicians have their own as a benefit of a
trade association but it is invalidated when even one member is not covered.
The other requirement
demanded by some venues is that all electrical equipment has a valid
“Portable Appliance Test” (PAT) certificate. This means that every thing
the band uses with a 13 amp plug must have a valid certificate. Note, that
legally the only time a PAT certificate is required is when the equipment is
supplied for employees to use, not for use by the owner, however many venues
claim their insurance companies demand it of all electrical equipment. Again
any established reputable band should have this.
And on a lighter note, I often get asked is when should they book the band? The simple answer is when they are still free, bands have to work on a first come first served basis as they can be booked up to two years ahead and turn away people for the same day or on some days have no enquiries at all!