1 |
d4 |
Nf6 |
2 |
Nf3 |
d5 |
3 |
c4 |
dxc4 |
4 |
Qa4+ |
Nc6 |
5 |
Nc3 |
e6 |
6 |
e3 |
|
6.Qxc4 Nb4 7.Qb3 c5 is
another way for black to play (Illescas -Wolff, Biel 1993). |
6 |
... |
Bd6 |
7 |
Bxc4 |
0-0 |
8 |
0-0 |
Bd7 |
An alternative is 8...e5
9.d5 Ne7 10.Qc2 with equality (Glotov-Flohr, Moscow, 1952). |
9 |
Qc2 |
Ne7? |
The
knight's retreat is too passive and better was the thematic advance
of the e-pawn, a standard way for black to equalise in queen's
pawn openings: 9...e5 10.d5 Nb4 11.Qb1= |
10 |
Qe2 |
|
Objectively
10.e4 is better because it forces black back. Possibly Keith thought
the postion might become blocked or white's advanced pawn centre
might be attacked. 10...Ne8 11.e5 Bb4 12.Rd1 Bxc3 13.bxc3
White stands better. |
10 |
... |
Ned5? |
Reinforcing the king
side may be better: 10...Ng6 11.e4 e5 12.Rd1 with an edge for white. |
11 |
e4 |
Nxc3 |
12 |
bxc3 |
Be7 |
13 |
Bd3 |
h6? |
Better
and more adventurous is 13...c5!? 14.e5 Nd5 15.Qe4 g6 16.Bh6 Re8
White has a free hand on the king side and black will find it very
difficult to defend. |
14 |
e5 |
Nd5 |
15 |
Qe4 |
f5 |
16 |
exf6
ep |
Nxf6 |
|
17 |
Qh4 |
. |
Grabbing
the b-pawn achieves a clear plus and material advantage: 17.Qxb7!?
Nd5 18.Bd2, but the English Champion aims for a king side breakthrough. |
17 |
... |
Bc6 |
18 |
Ne5 |
Bd7? |
18...Nd7 19.Qg3
Nxe5 20.dxe5 g5 leaves the black king exposed but was better.

|
| |
|
|
19 |
Bxh6! |
Ne8 |
19...gxh6 Also
loses, but not so quickly: 20.Qg3+ Kh8 21.Ng6+ Kg7 22.Nxe7+ Kf7
23.Ng6 Rg8 24.Ne5+ Ke7 when white is two pawns up with black's
king caught in the centre.
|
20 |
Bh7+!! |
Kh8 |
20...Kxh7 allows white
to clear out black's king side pieces. 21.Bg5+ Kg8 22.Bxe7 Qc8 23.Ng6
Kf7 24.Nxf8 |
21 |
Bg5!! |
g6 |
21...Bxg5
22.Ng6# |
22 |
Bxg6+ |
Kg8 |
23 |
Qh7# |
1-0 |
|